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The idea for 7 Khoon Maaf came when Ruskin Bond sent his book consisting of a collection of short stories to Vishal Bhardwaj. He was intrigued by a 4-page story's title named \"Susanna's Seven Husbands\", and thought it had potential for a novel and a film. Bhardwaj said, \"I told myself why would a woman have seven husbands and then I came to know that she also kills them! I was immediately hooked to it. It reminded me of a very old film, Bluebeard's Seven Wives (1926)\". Bhardwaj suggested the story to a fellow director, who was looking for a good story. However, after reading the short story, the director dismissed it saying it has no film potential. After reading the story twice, he became even more confident about possibility of a film. Bhardwaj who had previously adapted Bond's novel The Blue Umbrella into a film, decided to adapt the short story for the screen. Bhardwaj later requested Bond to turn the story into a novella, noting that only Bond could flesh out the characters well, to which he agreed. Bond expanded the story into an 80-page novella, which later became a 200-page full-length Hindi script. Bhardwaj co-wrote the script with Matthew Robbins.
At the end, we see Susanna in the confession box ready to confess her seven sins. She is no longer defensive and is ready to proclaim and own her story. She has crossed the 5th layer of neurosis and is embracing her explosive growth. This is where the story develops its dynamic form as the question of the sins arise. Considering the entire story from a psychodynamic perspective opens up the possibility of the seven sins manifested through the several characters and encountered by the self in its way to actualization. But the ambiguity around the sins offers multiple interpretations. This is where the story of 7 khoon maaf elevates itself to be an inexhaustible source of meaning and excel as art. 153554b96e